There have been a
number of excellent books published in the last
couple of years purporting to analyze the
socio-political landscape of the United States.
I admire brilliant investigative journalist Greg Palast's, The Best Democracy Money Can Buy,
for it's deep look into the sinister, pervasive
influence of big business on the current
political agenda. Barbara Ehrenreich's Nickel
and Dimed: On Not Getting By in America is a
sensitive portrayal of poverty and its
ramifications in American society by a
journalist who actually attempted to live
(marginally at best) on minimum wage jobs in
various American cities.
However, Stupid White Men by Michael
Moore, who is also also known for his guerilla
film-making (The Awful Truth and Roger
and Me), has to be one of the most
screamingly funny, incisive looks at the state
of the country since the so-called "grownups"
(Bush and company) took over, and the Democrats
started nodding off in the corridors of power.
In the course of the book he also manages to
offend just about everyone not just politicians.
His targets include but are not limited to
racists, white men, corporate bottom feeders,
Southerners, Fundamentalists, Naderites,
Yugoslavians, Sno Cones (facing extinction),
Stuff Inside Wax Lips (industrial waste), and
the Village Idiot, otherwise known as the title
of the chapter called, "Idiot Nation."
Yet, the book is more than satire of a high
order. It is a critical appraisal of the current
state of the nation, its people, its leaders,
and its place as a leader among the nations of
the world. For all his brilliant humor, his look
at a contemporary society heading into
God-only-knows-what future of genetic
engineering, perplexing cyberspace, increasing
corporate control over our lives and a
plutocratic government becoming less and less in
touch with the people it governs is chilling.
That
HarperCollins published a book so critical
of the Bush Administration and its associated
right wing zealotry and corporate concerns in
the aftermath of 9/11, is a testament to the
courage of the publisher, and indicates that at
least some remnants of freedom of the press
still exist in the this country. Still, the book
had a rocky road to publication and came close
to being suppressed. In the middle of its first
press run in September of last year, Moore was
told that he would need to revise some of the
material critical of Bush, as the publisher felt
that the "People" did not want to see their
President in a critical light, but as a hero.
Moore flat out refused to alter a single
word. News of the situation eventually leaked to
the press, and a group of librarians started a
letter writing campaign to HarperCollins, who
relented, published the book and soon discovered
that they had a runaway national bestseller on
their hands. Moore has stated publicly that he
admires the Publisher for "doing the right
thing."
I can see the publicity managers at Harper
cringing (not to mention Karl Rove and Karen
Hughes) when they perused such passages as this
from the chapter called, "Dear George:"
If you are going to be
Commander-in-Chief, you have to be able to
communicate your orders.. What if these little
slipups keep happening? Do you know how easy
it would be to turn a little faux pas into a
national-security nightmare? No wonder you
want to increase the Pentagon budget. We'll
need all the firepower we can get after you
accidentally order the Russians "wiped out,"
when what you meant to say was, "I need to
wipe the Russian dressing off my tie.
Now you may think that this is a book written
by a Liberal out to trash the Republicans and
the President that many Americans (Loyal
Americans, it should not be necessary to add.)
feel was appointed. OK, well, yes--in a way!
However, Moore is more populist than liberal and
does not just jab at the Republicans; he throws
some roundhouse punches at the Democrats also,
for whom he reserves a special chapter,
"Democrats, DOA." He accuses the Democrats of
not representing their constituency or standing
up enough to the Right Wingers, especially the
Christian Right and for not doing enough to halt
the ongoing takeover of the country by the
corporations and other moneyed interests. And as
for Clinton. . .well, he does have some positive
things to say about the former President, but he
adds that he was probably one of the best
"Republican" presidents ever.
While some of his most adept satire is aimed
at politicians and the corporations who all too
often own them, he also takes aim at many icons
of contemporary American society. Obviously from
the title, he has some choice words for
"whitey:"
White people scare the crap out of me.
This may be hard for you to understand since I
am white. . .Every person who has ever harmed
me in my lifetime--the boss who fired me, the
teacher who flunked me, the principal who
punished me. . .the executive who didn't renew
"TV Nation" [Moore's short-lived television
series], the guy who was stalking me for three
years. . .the contractor who overcharged me. .
.everyone of these individuals has been a
white person!
Whether Republican or Democrat, corporate
chieftain or Joe Sixpack, Moore makes an all too
unsettling though humorous case that they are
all just "stupid white men," IQs not quite
hitting on three digits. Even more frightening,
in his view they are as clueless of the
navigation of the "Ship of State" in the waters
of foreign policy as they are of the needs of
the people for clean water and air, the
educational needs of children, justice for all
Americans, and safety nets for workers in a
boom/bust, cyclic economy.
Hemingway once defined a writer as someone
with a "built-in crap detector." Well, if that
is the definition, then Michael Moore, has
patented and built an original version of that
invaluable machine. With his restless, incisive
wit and devastating cynicism, Moore at his best
reminds me somewhat of a Mark Twain or even a
Jonathan Swift. However, as a satirist, Moore is
probably neither as cynical as the incomparable
Twain nor as imaginative as the ineffable Swift.
Rather, he is in a class by himself; a brilliant
wit and caricaturist with the precise timing of
Vaudeville slapstick in his send-up of
contemporary society and politics. No one is
left out in his brazen attack on the mores and
absurdities of American culture:
. . .this wonderful psycho nation of
idealists and accountants who only want the
right to drive their Chevy Blazers across the
fruited plain, whose only request is to
someday be told the difference between "partly
sunny" and "partly cloudy," who seek nothing
more than a cellular plan with enough
peak-time free minutes so they'll always be
ready if one of their kids should call from
inside a school shooting. . .
Moore's knows his subject well and his years
as a political activist and all around
socio-political gadfly add greatly to his
observations of American life and
interpretations of the political scene at the
beginning of this new millennium.
By the way, I said that Michael Moore is a
populist. Let's check! The American Heritage
Dictionary (4th Edition) offers the
following definitions of the word, "populist:"
NOUN: 1. A supporter of the rights and
power of the people.
ADJECTIVE: 1. Of or relating to populism or
its advocates: a populist aversion to business
monopolies.
Yup, Moore's a populist.
He believes in that wise ol' saying stated so
eloquently on a bloody, nineteenth century
battlefield by a past president with a long face
and a dark beard "that government of the people,
by the people and for the people shall not
perish."
Hey, wait a minute; I think that guy may have
been a Republican!

Editor's Note: Though I am something
of a populist myself and do admire Michael
Moore's excellent book, I do respect all
political concerns whether liberal,
conservative, populist, socialist, green or any
shades above, below or in-between.
In this regard, to be fair, I must mention
that since publication of this review, some
authorities have challenged Mr. Moore's facts.
For another point of view, you may wish to check
out this alternate view of the book at
Spinsanity.
Copyright 2002, Thomas James Martin, all
rights reserved.